🔗 Share this article Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era The work of Portishead co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.” Unsteady Opening and Darkly Funny Confrontation The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley. Stylish Imagery and Promo-Inspired Sensibility Just a single key story turn, but it leads to a comically executed rampage on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene. The film is in UK and Irish theaters from 17 November.